david eubank on art

Sometimes you can’t see the Meteors, because of all the Shooting Stars

1934: A new Deal for Artists.

Franz Kline 1910-1962
Franz Kline 1910-1962
  • 1934: A new Deal for Artists. A retrospective of American Art of the Depression.

     

    The exhibit at the Smithsonian American Art Museum showing now through January 3, 2010 is an example of what a government stimulus program can do not only for the arts but also for the country. The selected works tell the story of the Great Depression through the eyes of American artists of the time. President Franklin Roosevelt’s administration created the first government program to support the arts nationally. He and his administration understood how art could sustain the American spirit during a time of crisis and great hardship.

     

    The program only lasted six months from December 1933 to June 1934. Artists were paid to depict “the American Scene”. Many public artworks were as we know them today site specific like percent for the art projects. Others were created throughout American in cities and in rural America. Artists not only had an opportunity to earn a living through the program during the depression they also were able to serve their country in a time of crisis.

     

    You can see the exhibit on the web at http://americanart.si.edu/

     

    One thing I noticed is that many of these artists went on after the program and had very successful and influential carriers like Franz Kline.

     

    Once you are at the Smithsonian site, you can click on the link to see the Flash Program of the exhibit. I had trouble with the Flash version and you may have to adjust your computers program to view it if your security program blocks the application. I have included the link to the Non-Flash page that I found worked just fine.

     

    Non Flash Link

    http://americanart.si.edu/education/picturing_the_1930s/non-flash.html

     

    Take a little time and look at what artists did during the last depression a time of crisis not unlike today’s financial crisis in America. It is clear to me as an Artist that the Art’s can sustain the human spirit in times of crisis and that Art can give us not only hope but purpose in our endeavors.

     

    Enjoy the 1934: A new Deal for Artists Exhibit

     

    http://americanart.si.edu/

     

    http://americanart.si.edu/education/picturing_the_1930s/non-flash.html

     

     

     

    Filed under: Art, Art Marketing, Art News, Culture Economey, How to survive as a Working Artists, Journalism, Media, On Art, Painting, Photography, Politics, Uncategorized , , , , , , , ,

    Join the Montana Artists Network

    tree-shadows

    Montana is home to many artists working in every imaginable venue. Almost every community has some kind of arts program. Yet artists are spread across a vast landscape and often are isolated from one another. Montana is a very large place and traveling from one end of the state to another is a journey. We Montana Artists often do not have the opportunity to communicate with each other to share our work and ideas. This week I started a social network on Ning in hope of bringing Montana artists together in a central location on the web so we can communicate. Ning is a cloud network that supports the site. Montana Artists Network, http://montanaartistsnetwork.ning.com/

     

     

    In addition to communicating with each other, the site offers the ability to promote our work and our ideas to the world.

     

    Nothing is in stone, the site can develop in anyway the users want it too. Collectively we can have a lot of fun promoting our work and our ideas.

     

    • The Montana Artists Network was created to link artists throughout Montana in a central network to promote the arts in Montana.

    To join is totally FREE. You can create your own page and promote your art. You can create Blogs, Discussions and List Events. You can upload your photos, videos of your artwork to your page. The Network is open to anyone interested in promoting the Arts in Montana: Artists, Galleries, Art Organizations and Patrons of the Arts.

    Why did I create the Montana Artists Network? After much thought and participation in other Artists Networks, I felt Montana Artists needed a site where they could easily communicate throughout the state with each other, share their ideas, artwork, and promote the arts in Montana globally.

    In addition, cost and user friendly was a major factor in creating this site. The Ning network is free and is easy to use. You have complete control over the content of your page. You can use the page editor to control the appearance and options you like. You can add other technical resources to your page like Twitter and many others.

    As the de-facto site manager. I will do my best to address any suggestion you have. Please let me know how the site is working and if there are things we can do together to make the site better.

    I look forward to promoting the arts in Montana with you.

    David Eubank

     

    Check it out and Join the Montana Artists Network and please invite your friends to join too, the network is open to everyone interest in the Arts in Montana

    http://montanaartistsnetwork.ning.com/

    Filed under: Art, Art Marketing, Art News, Culture Economey, How to survive as a Working Artists, On Art, Painting, Photography , , , ,

    New Art from the Middle East

    Tala Madani Elastic Pink Painting
    Tala Madani Elastic Pink Painting

    • New Art from the Middle East

    Saatchi Gallery London Jan 30th – May 9 2009

     

    • (See the Exhibit Here)

    http://www.saatchi-gallery.co.uk/artists/unveiled/

     

    • The Saatchi Gallery in London is currently showing

    the new work of 21 Middle Eastern artists in an exhibit that is

    • well worth the time to look.

     

    If you can’t get to England the on-line exhibit is done very well and I think is exciting. Just use the link and see for your self.

     

    The collective works of the 21 artists offer us a view of different cultural ideas that are in some cases stunning ideas to what we in the west have come to believe about the Middle East. These bold artists tackle often sensitive and controversial ideas about their personal experiences and their relative cultures.

     

    Ideas about Tolerance, Sexuality, Religion and Life today in the Middle East.

     

    I spent some time going through each artists work and I have to say I enjoyed the new work and the show. However, what I really saw throughout the exhibit was hope. Hope that through the eyes of these bold artists we can find a sense of cultural understanding in our differences and our similarities.

     

    Related Article by the L.A TIMES

    http://www.latimes.com/news/nationworld/world/europe/la-et-mideast-art11-2009feb11,0,5332594.story

    Filed under: Art, Art News, Culture Economey, Journalism, News, On Art, Painting, Photography, Uncategorized , , , , , , , ,

    Copyright Fair Use and The Transformative Factor

    cloony-obama-hope1

    Orginal Manny Garcia Photo with Faireys Hope Poster

    The Question?

    Can you the artist use, transform a copyrighted image in whole or part into a new work of art without permission of the original author.

    That is a question that Shepard Fairey is about to answer.

    Boy this guy Fairey is really mixing it up, with his recent arrest for graffiti in Boston and what I believe is a very important law suit in New York. The Associated Press wants credit and payment for Fairey’s Obama Hope image. They contend that Fairey violated Copyright Law when he used a photograph taken by Manny Garcia to create his famous poster of Hope.

    I have written a lot about Shepard Fairey recently because his work in general is tied to a history in art that is of great personal interest to me. His work is connection to political propaganda and the Dada movement. And I think he does a good job as a image maker/artist.

    I don’t know if Shepard Fairey intended to set landmark legal precedents in law when he started making images or when he made his now famous Obama poster, but that is what he is doing.

    The reason this is so important is that the outcome of his argument with the Associated Press may in fact have a major impact on you and me as an artist. At issue is the Fair Use clause in copyright law.

    I want to make it clear that I am not attempting to defend Shepard Fairey but I am attempting to defend his right; the right of Fair Use. Fairey is a convenient source because of his current case. Furthermore, I hope you will use the links I have provided to the related articles and the actual court documents to make your own argument about the issue.

    That said, I have some issues I want to share with you not only about the Fair Use law but also about how the story is being presented.

    First AP claims infringement of copyright over the use of the original image. What they don’t claim is that they in fact may not even own the copyright to the image. Manny Garcia the photographer may own the rights. AP never contracted with Garcia for ownership. He was a temporary hire with no contract by him or AP that would transfer ownership of the image to the Associated Press. Therefore, before AP has any claim they will have to establish ownership. And that may be another legal case in itself.

    Second, is the fact that the current image in the press shown around the world is not the entire photograph that Manny Garcia took of Obama? The original image was of Obama sitting beside George Clooney. He was at a fund raising dinner for Darfur relief aid, at the National Press Club in Washington D.C in 2006. The image Shepard Fairey used and altered is a cropped version of the original.

    hope-and-garcia

    Third is the fact that Fairey took the cropped pose and significantly altered it. He not only altered the image by transforming it into a very graphic and abstract version of the original, he altered the content or purpose. He created new work of art based on the original by adding new expression and meaning.

    Why is this important, because many artists use other people’s images for inspiration and transform those images into new works of art? Any body who has clipped pictures out of a magazine to make a collage has done exactly what Shepard Fairey did. Those old wallpaper design catalogs count too.

    Equally important I believe is for the press to get the story right. Why didn’t they print the original photograph that I found in a link to court records, provided by the Mercury News? It took me about 5 minutes to find a version of the image I could use, when everybody else published the cropped version.  I think the image they used unfairly slants the story and implies a different approach to the work Fairey created, inspired by the original image.

    Copyright law is as complex as image making today. With new digital technology and the internet, available images have multiplied by a thousand fold and fair use is a major issue for artists everywhere.

    I also want to note that Shepard Fairey has openly given Manny Garcia credit for his image and the inspiration the image had on Fairey’s work. As an artist have you ever been inspired by another artists work? Have you ever used another artist’s work as a starting point for your work?

    The history of art offers many examples of fair use and transformative images, just look at an Andy Warhol image of a Campbell’s soup can. Campbell’s tried to stop him from using their trademarked image and lost. Warhol transformed the Campbell’s image into a new work of art that was inspired by the original. Warhol added new expression and meaning to the image.

    I don’t think the Associated press has a case and I think Shepard Fairey is rightfully protecting all of us with his legal action against AP.

    Read the actual court documents and related articles below.

    Tell me what you think, add your comment, it is important.

    AP wants credit for Fairey Obama Image, Boston Globe.

    http://www.boston.com/ae/media/articles/2009/02/05/ap_wants_credit_for_faireys_obama_image/

    Mercury News Article. Court Documents Attached PDF

    http://www.mercurynews.com/newsspecialreports/ci_11666008

    PDF at Doc Stoc. You can download the complete court documents PDF version with images free here. You just have to register.

    http://www.docstoc.com/docs/4104616/Obama-artist-complaint-vs-the-Associated-Press

    Excerpt Stanford Fair Use/Copyright Stanford University Libraries

    The Transformative Factor: The Purpose and Character of Your Use

    In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new, or merely copied verbatim into another work. When taking portions of copyrighted work, ask yourself the following questions:

    Has the material you have taken from the original work been transformed by adding new expression or meaning?

    Was value added to the original by creating new information, new aesthetics, new insights and understandings?

    In a parody, for example, the parodist transforms the original by holding it up to ridicule. Purposes such as scholarship, research or education may also qualify as transformative uses because the work is the subject of review or commentary.

    EXAMPLE: Roger borrows several quotes from the speech given by the CEO of a logging company. Roger prints these quotes under photos of old-growth redwoods in his environmental newsletter. By juxtaposing the quotes with the photos of endangered trees, Roger has transformed the remarks from their original purpose and used them to create a new insight. The copying would probably be permitted as a fair use.

    Stanford Website/Fair Use

    http://fairuse.stanford.edu/Copyright_and_Fair_Use_Overview/chapter9/index.html

    Related Posts

    The Art of Politics

    http://davideubank.wordpress.com/2008/08/29/the-art-of-politics/

    A very well written article on the copyright debate and Shepard Fairey

    Shepard Fairey is Not a Crook: by Steven Heller

    Filed under: Art, Art News, Art Prints, How to, How to survive as a Working Artists, Journalism, Media, News, On Art, Photography, Politics, Shepard Fairey, Uncategorized , , , ,

    He’s Still a Gangster? Shepard Fairey Arrested in Boston

    griny

     

    Well Shepard Fairey missed his big opening at the ICA in Boston he was arrested for graffiti.  On his way to the opening where his audience awaited the Boston Police seized their man. Seems Shepard spent the few days leading up to the show creating public art in unwanted places. The Police and as it seems the people of Boston were not too impressed with his work on private property. I found the most interesting part of the story in reader comments, in the Boston Globe article.

     

    Many of his fellow street artists mostly because of his success have criticized Fairey. They feel he has sold out to the establishment. So is this why he was out tagging to redeem his rep? Or was this a publicity gag that worked. Maybe drafting on Obama’s fame and fortune has slowed down. Fairey got a lot of good PR out of his poster. He got into the National Portrait Gallery without a ticket and he got the Boston Show. Now we will see what he gets.

     

    I like his work to be honest regardless of what anybody says. I like the fact the he steals from artists of the past like Rodchenko and Heartfield. I like the fact that he uses familiar images that bombard us, only he makes us pay attention to them. I like the fact that he has a social agenda, that he is a voice that has power. I like the fact is getting attention, but he may not be so happy if he lands in jail. But hey you can’t buy this kind of stuff on your resume.

     

    When Henry David Thoreau was in jail for his civil disobedience, his friend asked him what he was doing in there. Thoreau replied, “What are you doing out there”? 

     

     

    Story in the Boston Globe

     

    http://www.boston.com/news/local/massachusetts/articles/2009/02/08/street_artist_will_get_day_in_court_for_pasting_up_his_art/

     

    Read the Comments, very interesting.

     

    http://www.boston.com/news/local/breaking_news/2009/02/controversial_s_1.html?p1=Well_MostPop_Emailed6

     

     

    Related Posts by David Eubank

     

    The Art of Politics

    http://davideubank.wordpress.com/2008/08/29/the-art-of-politics/

     

    The Vocabulary of Change

    http://davideubank.wordpress.com/2008/11/10/rodchenko-heartfield-fairey-the-vocabulary-of-change/

    Filed under: Art, Art Marketing, Art News, Art Prints, Culture Economey, How to survive as a Working Artists, Journalism, Media, News, On Art, Politics, Shepard Fairey, Uncategorized , , , ,

    The New Age of Sputnik

    Digital Montage by David Eubank

    Digital Montage by David Eubank

     

    Iran launched a satellite the other day that has gone mostly unnoticed compared to the Soviet launch of Sputnik in 1959, but make no mistake about the significance of this technological Madness.

    The launch is a clear escalation; an intended demonstration of power and real danger. It is an ‘in your face’ threat to the civilized world that few realize. We have been desensitized today about the real danger of nuclear destruction now that the cold war is over, but the reality is a Clear and Present Danger.   

     

    For most of my life, I have been interested in The Bomb.

    Nearly fifty years ago now, I paid my fifty cents and entered a world of madness, a world of Mutual Assured Destruction at a carnival sideshow in Ohio. Hiroshima, a movie along with photographs of what the first Atomic Bomb had accomplished, was the show. Now as I look back and create a timeline in my mind I realize that Hiroshima was recent history at that time– only fifteen years earlier. The Bomb was real; it was part of the living memory of anyone over the age of fifteen. The images of Hiroshima were forever burned into my mind. Especially when we practiced Air Raid Drills in school. Maybe you have seen the pictures of such drills, where all of the students either get under their desks or go out into the hall and crouch down with heads down in protective postures. I went to grade school in an old stone building. The basement in fact was a designated Bomb Shelter. When the alarm would sound, we would all go very orderly, in single file, down into the basement of the school. I remember the long cavern-like hallway down there, no windows, constructed of reinforced concrete and massive stone. We would get down on the floor, our heads down facing the cavern wall until the all clear sounded. Back then, in the fifties, Bomb Shelters were everywhere, in almost any structurally reinforced concrete building. Those little Black and Yellow signs (some are still around today) identified safe places to hide from the bomb. After I saw the Hiroshima pictures, I knew that down in that Bomb Shelter, there would be no hiding. The invention of the Hydrogen Bomb upped the ante 10 fold and as Sputnik circled the earth blurting out it’s faint beep, we all knew, even the children, that death awaited humanity, if humanity still existed. Just ask anybody who grew up in the fifties. Just watch some of the old movies like On the Beach or Dr. Strangelove that today are bizarre; almost unbelievable snapshots of the danger we faced then and still face today. Only today, we all seem to believe the danger has passed.

     

    My interest in The Bomb never waned; I watched every movie and read everything I stumbled across about the inevitable nuclear Holocaust. It was in the late seventies that I got my real introduction into the subject of Nuclear Strategy. I was in my last semester of college; I needed a social science credit to graduate. As an art student I really didn’t care for most of the courses offered, it was just another petty annoyance on the road to an art degree. Then I saw a course in the catalog: Nuclear Strategy. My advisor said the course would work, so I signed up. I thought this will be more fun B movies, but I was mistaken. On the first day of class, I walked into a room full of very clean cut military officers and political scientists. I can assure you I was the only longhaired hippy in the room and all eyes were on me. The professor was best described as a man in black. He was a well-dressed stately looking man, who I can now say was serious, extremely intelligent, kind and surely had a warped sense of humor because he invited me to stay. Professor David Lauscher, called me aside as he was handing out our reading packages at the end of class. He explained to me that the course was the real deal and that it would be a lot of work for anyone not up to speed. I felt like a donkey running the Kentucky Derby compared to the other students in the class who were serious professionals. After the professor and I talked a little more I assured him I would keep up with the required reading and briefings and that I was serious about learning; he encouraged me to continue. The reading load was incredibly difficult, the most difficult in all my years in college including graduate school. The volume included declassified defense department briefings, studies and history on Thermal Nuclear War. We studied how we as a nation arrived at our current Nuclear Policies and Strategies. We read Machiavelli’s, The Prince and Herman Kahn on Thermal Nuclear War and we studied their ideas in relation to current policy. We studied targeting strategies, damage predictions, and the importance of delivery systems. The information was sobering, frightening. Any hope for a satisfactory outcome to a nuclear confrontation, an actual nuclear war, was at best impossible. At worst, a nuclear war would mean the end of the human race. Machiavelli’s principles of deterrence lead to the current policy of Mutual Assured Destruction, (MAD). Simply stated, both sides said you will be totally destroyed if you attack and the stalemate of the Cold War was founded.

     digitalmontage-192

    This one idea maintained the balance of power between the Soviet Union and the United States. Dooms Day, the stuff of B movies, was reality.

    The Berlin Wall still stood and the British were engaged in the Falkland’s War with Argentina. That war was the first time modern weapons and modern delivery systems were tested in battle. Images of smart bombs and accurate missile guidance systems that can acquire targets became reality. The idea that a small rogue country who could acquire the technology and a delivery system and would emerge as a new nuclear threat was also reality. The professor predicted that in the future this new threat would become our challenge in the future and would require a very different policy than MAD. You see the balance of power between Super Powers was altered by Argentina. They had gained the ability to challenge a much greater force with limited technology and inflicted serious damage. Britain could have just wiped the Argentineans off the face of the earth, but that would have been a disproportionate use of power. The idea emerged that if a small country got the bomb and could deliver it, they would hold the upper hand in a conflict. Why? Because even though they could be ultimately destroyed, everyone else would still be here and have to deal with a 911 event of biblical proportions.

     

    The hard part is not acquiring the bomb; it is delivering it to a target.

    With nuclear weapons you don’t have to be accurate you just have to be in the neighborhood. Therefore, as the professor pointed out then, if Argentina decides to commit suicide and say attack San Francisco we could do little but destroy them and mourn our loss. Where as with the USSR, we would all be gone, as would they. In addition, we would have to consider destroying an entire country where many innocent people would die to deal with a rogue political leader. However, we all have leaders who pilot the car and we all go along for the ride. As you can see, things can get out of hand very fast.

     

    The Iranian Sputnik is a clear demonstration that they have a delivery system and is a serious escalation in threat strategy.

    They are now entering the realm of the possible along with North Korea who many believe have achieved the ability to strike a target in the Western United States. The North Koreans plan to launch an ICBM test soon according to news sources. I can only imagine what Dr. Lauscher would say, “I told you so”. He predicted more than thirty years ago the situation we face today would be our future if the then Soviet Union and we did not act to stop the proliferation of Nuclear Weapons. Well we failed to act then and now the future of the past is our present. Pakistan, India, North Korea, Israel, the decentralized former Soviet Union and now Iran are threats. China has grown into a Super Power with the Bomb and the United States and Russia face new threats from many small nations. We no longer face a single enemy or a single threat and if things get out of hand, it is going to be very bad for all of us. The fact is the collective old Nuclear Powers have not developed a new strategy to address these new threats. In fact the Old School Powers (including us) have escalated, proliferated the technology for political and financial gain over the last three decades.

     

    We have entered into a game of chess between Super Powers where small countries are the chess pieces. Control in the game is an illusion. Leaderships change as in Pakistan, as in Iran, as in North Korea and new players do not follow the old rules. They bring different ideologies, religions and different agendas than their predecessors. Without rigorous evolving policies, the world takes another step closer to the unthinkable. Perhaps it is as simple as human ambition and the thirst for individual power. If you want to sit at the big table, you have to have the Bomb.

     hvgh1

    The other big item in the news is the new Antimissile System, a missile shield scheduled for deployment in Europe; Russia is opposed to the deployment.

    For decades, we had an ABM Anti Ballistic Missile treaty with the Russians. An ABM system could disable enemy missiles and give the opponent the edge in a nuclear exchange. This was destabilizing to the MAD doctrine because if you knocked down enemy missiles you might survive. However, today because of the widened threat, we seek that additional protection not from Russia, but from smaller enemies. The Russians sticking to current strategy see the New ABM system as a measured escalation, a threat as it is according to doctrine.

     

    The final threat that my old professor predicted was non-state attached enemies, i.e. Terrorists, as we know them today.

    These enemies are not part of a recognized government. They have no diplomats, no homeland soil to protect, and no fixed infrastructure to attack and destroy. They operate outside of the rules and they are organized. 911 was proof that they can cause great damage and we were unprepared to deal with not only the threat, but also our response. Our policies and our doctrine at the time lead us to take action against Iraq instead of Osama Bin Laden. Why? Because we are unprepared to deal with non-state sponsored aggression, we just had not really thought out what to do. Iraq was a convenient and logical target. They were an aggressor and we knew the address. As misinformed as our leaders were, they believed that Iraq was a host nation to our new enemy. Without a clear doctrine to guide them, our leaders made critical mistakes as they tried to restore the balance of power.  We face the same problem with small countries that have the Bomb. What is the proper response? Certainly Iraq should prove one thing. We are unprepared to deal with a nuclear aggressor like North Korea or Iran. If Iran gets the Bomb and decides to go suicide, we will be left with few options other than total destruction of a people or do nothing. If Iran chooses to proliferate nuclear technology to the terrorists, again what will be the response? Iran may in fact pose a larger threat to Europe, Russia and certainly Israel and the Middle East. Even if a nuclear conflict were isolated to the region, the effects would be felt worldwide as radiation spreads through the atmosphere creating poison air. Not to mention India and Pakistan where millions, even billions, would possibly die in a nuclear exchange leaving the rest of us to slowly die from radiation fallout.

     

    Finally, soon the United States and Russia will begin new talks to reduce our nuclear arsenals.

    This perhaps will be another step forward– an opportunity to develop a policy, a doctrine to deal with nuclear proliferation. It is hard to tell Iran you can’t have the Bomb when we have so many. But to change, to go back to a time when no nuclear weapons existed will take trust and confidence and a global effort. It probably isn’t in the cards anytime soon. As they say, it is hard to put the Genie back in the bottle.

     

    The New Age of Sputnik has arrived and we as a species need to find a solution to maintain peace because the other options are impossible.

    If you think Global Warming is a threat, the day someone starts launching nuclear-armed missiles you will wish for a little problem like too much carbon in the atmosphere! Yes this situation is serious, far more so than the media reports. Perhaps we have all became just too desensitized to the threat. Iran’s President continues to call for the destruction of Israel. The reasons why Iran hates Israel are complex and require super diplomacy to find a solution. If the world powers cannot convince Iran to stand down their nuclear program and seek peace, Iran will force Israel to act before Iran has a bomb, if the escalation continues. It is a dangerous game and the motives seem insane. From a strategic point of view, it would be better to defend one’s country before the enemy has overwhelming power. This is the idea that led us to preemptively invade Iraq. Even though as it turned out there were no weapons of mass destruction, our leaders believed there were.

     

    I had an office in Tucson back in the nineties; it was in a row of old railroad houses converted into offices. The building manager Al had a little office at the end of the block. I don’t recall why I went to see him, but I remember it was my birthday, August sixth. Al looked sad and as we talked, he told me about his war experience. Al had arrived in the Pacific just before the end of WWII. A couple of days after he arrived we dropped the Atomic Bomb on Hiroshima. Soon after the Japanese surrender, he was sent to Hiroshima to provide aid to the victims the vast majority civilians, women, children and the elderly. Al’s face told the whole story; the horror of his experience was in his eyes. Al struggled with the why for all of his days. He said he just had to believe we dropped that bomb to save lives.

     

    Have you ever wondered why there are no longer any Bomb Shelters in American cities?

     

    I have been making art about The Bomb for more than thirty years now and as new members seek or join the nuclear club, I add them to my work.  I use monsters like Godzilla because he, like Frankenstein, is a result of science. They represent the uncontrollable creations of men that have not asked the right questions of nature.  Monsters created by ego and the need for power without fully understanding the consequences and human behavior. We may never evolve to a species that can fully answer these questions because we may destroy ourselves before that can happen.

     

    http://www.timesonline.co.uk/tol/news/world/us_and_americas/article5655143.ece

     

    Related posts by David Eubank

     

    How I Learned to Stopped Worrying and Love the Bomb

    http://davideubank.wordpress.com/2008/09/09/how-i-learned-to-stop-worrying-and-love-the-bomb-philosophical-cinema/

     

    Monster the Bomb and Modern Art

    http://davideubank.wordpress.com/2008/09/08/monsters-the-bomb-and-the-development-of-modern-art/

    This February 4 2009 Times Article is a well-written synopsis of the evolving strategic situation.

     

    "I Have Become Death"

    "I Have Become Death"

    Filed under: Art, Art News, Environment, Journalism, Media, News, Nuclear War, On Art, Politics, The Bomb, Uncategorized , , , , , , , , ,